Hello Nasty | ||||
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Studio album by Beastie Boys | ||||
Released | July 14, 1998 | |||
Recorded | 1997–1998 | |||
Genre | Alternative hip hop | |||
Length | 67:28 | |||
Label | Capitol | |||
Producer | Beastie Boys, Mario Caldato, Jr. | |||
Beastie Boys chronology | ||||
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Hello Nasty is the fifth studio album by the Beastie Boys. It was released on July 14, 1998 via Capitol Records and sold 681,000 copies in its first week, debuting at #1 on the Billboard 200 album sales chart. The album took home two awards at the 1999 Grammys, in the categories of Best Alternative Music Album and Best Rap Performance by a Duo or Group for "Intergalactic".
Contents |
Hello Nasty was released on July 14, 1998—four years after the band's previous album, Ill Communication—and marked the addition of DMC champion Mix Master Mike to the group's line-up.[1] "Song for Junior" features Miho Hatori on vocals, and "Dr. Lee, PhD" guest stars dub musician Lee Scratch Perry on both vocals and percussion. Hello Nasty also marked Eric Bobo's last appearance as percussionist in the band, as well as the last time the Beastie Boys worked with a co-producer.
The title for the album was allegedly inspired by the receptionist of their NY based publicity firm Nasty Little Man who would answer the phone with the greeting "Hello Nasty".
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Robert Christgau | (A)[2] |
Entertainment Weekly | (B+)[3] |
Pitchfork Media | (8.5/10) [4] |
Pitchfork Media | (7.0/10) - Deluxe Edition[5] |
Rolling Stone | [6] |
Select | [7] |
The Guardian | [8] |
Consequence of Sound | [9] |
PopMatters | [10] |
Hello Nasty received mostly positive reviews upon release. Caroline Sullivan writing for The Guardian Review awarded the album "Pop CD Of The Week" claiming that it "fills a gap created by the current profusion of serious rock bands like Radiohead; elbowing its way up front, [and letting] rip with adolescent vigour."[8] She went on to summarize the record as "the perfect party soundtrack by the perfect party band."[8] Although Allmusic's Stephen Thomas Erlewine felt that the album's ending was "a little anticlimactic", he also saw Hello Nasty as a progressive step forward from the group's 1992 LP Check Your Head, and praised the input of the group's new recruit, Mixmaster Mike; "Hiring DJ Mixmaster Mike turned out to be a masterstroke; he and the Beasties created a sound that strongly recalls the spare electronic funk of the early '80s, but spiked with the samples and post-modern absurdist wit that have become their trademarks."[1] In his B+ rated review for Entertainment Weekly, David Browne highlighted the album's multi-genre sound, along with the group's use of a wide range of musical styles, as its most engaging aspect;[3]
Hello Nasty is a sonic smorgasbord in which the Beasties gorge themselves with reckless abandon. They dabble in lounge-pop kitsch (the loser put-down Song for the Man), make like a summit of Santana and Traffic (the Latin-flavored "Song for Junior"), and subtly incorporate a drum-and-bass shuffle into the mix ("Flowin' Prose"). The melange makes for a looser, more free-spirited record than their earlier albums; the music invites you in, rather than threatening to shut you out.
Publication | Country | Accolade | Year | Rank |
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Les Inrockuptibles | France | Best 50 Albums of the Year[11] | 1998 | 44 |
Melody Maker | United Kingdom | Best 50 Albums of the Year[12] | 1998 | 2 |
Mixmag | United Kingdom | Best 10 Albums of the Year[13] | 1998 | 5 |
Musikexpress | Germany | Best 50 Albums of the Year[14] | 1998 | 22 |
Muzik | United Kingdom | Best 75 Albums of the Year[15] | 1998 | 2 |
NME | United Kingdom | Best 50 Albums of the Year[16] | 1998 | 2 |
Q | United Kingdom | Best Albums of the Year[17] | 1998 | * |
Rocksound | France | Best 50 Albums of the Year[18] | 1998 | 17 |
Rolling Stone | United States | Best 5 Albums of the Year[19] The Essential Recordings of the 90s[20] |
1998 — |
2 * |
Select | United Kingdom | Best 30 Albums of the Year[21] | 1998 | 13 |
SPIN | United States | Best 20 Albums of the Year[22] | 1998 | 10 |
Technikart | France | Best 10 Albums of the Year[23] | 1998 | 2 |
The Face | United Kingdom | Best 20 Albums of the Year[24] | 1998 | 11 |
The Village Voice | United States | Albums of the Year Poll[25] | 1998 | 9 |
Uncut | United Kingdom | Best 40 Albums of the Year[26] | 1998 | 12 |
* denotes an unranked list.
Released in Australia, Europe and Taiwan.
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"Super Disco Breakin'"
"The Move"
"Just a Test"
"Body Movin'"
"Intergalactic"
"Putting Shame in Your Game"
"Three MC's and One DJ"
"The Grasshopper Unit (Keep Movin')"/"Can't, Won't, Don't Stop"
"The Negotiation Limerick File"
"Electrify"
"Unite"
"Dr. Lee, PHD"
Chart (1998) | Peak position |
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Australian ARIA Albums Chart | 1 |
Billboard 200 | 1 |
Canadian Albums Chart | 2 |
UK Albums Chart | 1 |
Year | Single | Chart | Position |
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1998 | "Intergalactic" | Australian ARIA Singles Chart | 21 |
Canadian Singles Chart | 9 | ||
US Billboard Hot 100 | 28 | ||
Modern Rock Tracks | 4 | ||
Hot Dance Tracks | 6 | ||
Top 40 Mainstream | 32 | ||
Top 40 Rhythmic | 37 | ||
"Body Movin'" | Modern Rock Tracks | 15 | |
Hot Dance Airplay | 44 | ||
Hot Dance Sales | 25 | ||
1999 | Australian ARIA Singles Chart | 28 | |
"The Negotiation Limerick File" | Modern Rock Tracks | 29 | |
"Remote Control/Three Mics & One DJ" | UK Singles Chart | 21 |
Nasty Bits | ||||
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EP by Beastie Boys | ||||
Released | 1998 | |||
Recorded | 1998 | |||
Genre | Hip hop, alternative hip hop, old school hip hop, instrumental rock | |||
Length | 9:04 | |||
Label | Capitol | |||
Producer | The Beastie Boys, Mario Caldato, Jr. | |||
Beastie Boys chronology | ||||
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Nasty Bits is a promotional album by the Beastie Boys featuring three songs from Hello Nasty. The album was only released in Canada.[29]
Preceded by Armageddon (soundtrack) by Various artists |
Billboard 200 number-one album August 1–21, 1998 |
Succeeded by Da Game Is to Be Sold Not to Be Told by Snoop Dogg |
Preceded by Talk on Corners by The Corrs |
UK number one album July 18, 1998 – July 24, 1998 |
Succeeded by Jane McDonald by Jane McDonald |
Preceded by Try Whistling This by Neil Finn |
Australian ARIA Albums Chart number-one album July 19–25, 1998 |
Succeeded by Left of the Middle by Natalie Imbruglia |